Chris McElwain
Pumpkinhead
Chapter
1
The other day, I read the following on a napkin:
My name is Jennifer Owens.
I am 20 years old, a virgin and I
don’t know who I am.
I have done nothing worthwhile with
my life up to this point.
And I have no reason to expect that
the rest will be any different.
I was eating at Fatburger Restaurant,
And I found the note inside a discarded shake receptacle
(Vanilla).
I don’t generally dig through the garbage in public places
(Not since my run-in with the tyrannical staff of the Dairy Queen, at any rate),
But the restaurant was sponsoring a competition
In which millions of dollars were to simply be given away.
I had just ordered a Fatburger Deluxe.
Two patties with cheese, fresh lettuce, tomatoes, onions, and pickles, all smothered in a tangy secret sauce.
Delicious.
Awaiting my meal,
I examined the napkin.
Its cryptic message was illuminated with an array of decorative flowers and other scribblings.
These, I concluded, displayed no particular artistic talent.
The poem was what interested me.
Succinct and rather
Poignant.
I folded the napkin and put it
In my pocket.
My number was called
(533. I remember because it is half of 1066, the year of the Norman invasion of England).
I bit into my fat burger
And felt the grease
Roll down my
Chin.
Chapter
2
Later, it struck me
As I was masturbating to a taped episode of
The Cosby Show
(Sondra, the Cosbys’ eldest child, has long been the focus of some of my most persistent sexual fantasies)
Jennifer Owens.
Yes.
I recognized the name.
I could see it vividly
In black block letters on a white name badge
Bagging my groceries:
Freshly canned garbanzo beans.
Juicy veal cutlet.
Oreo brand cookies
Superb.
Jennifer Owens.
Yes.
It’s a small town.
Could there be two?
I reached a climax
(weak)
And decided I must investigate.
Chapter
3
I entered the lavatory
In order to
Prepare for my quest
By making my appearance more pleasing and presentable for the public world
Long ago
In my childhood, perhaps
Someone told me that my head looked like a pumpkin
(Due to the shape, I imagine)
And whenever I confront my face in the bathroom mirror
I am surprised that it is not orange
(Though the shape has not changed)
Yet,
As soon as I can no longer see my own reflection,
The image returns
And I am haunted by that cursed
Metaphor
I put down my comb
(Admiring the stylish green stem protruding from my scalp. Ha. Ha.)
And left my apartment
Complex,
Intending to change
A life.
Chapter
4
I walked boldly through the sliding doors
And into the grocery store where Jennifer worked
(Apparently owned by a Mr. Albertson, though I have never seen the man)
I learned that Jennifer’s shift did not start
Until that evening.
So I waited.
Finally,
She arrived.
The glint in her eyes
And the name on her tag
Made her unmistakable.
It was she:
The fast food Emily Dickinson herself.
Her very walk spoke of the angst contained on that soiled napkin.
Magnificent.
I approached her.
“Good day.”
I said.
(She did not remember me)
I made several remarks about prevailing meteorological conditions
In order to put her at ease.
(I did not wish to upset her plainly nervous constitution)
But I came quickly to my point
And produced her poem with an
Impressive flourish.
“Are you the author of this fine verse?”
I asked.
“Where did you get that?”
She replied.
Our discussion seemed to be going well until Mr. Albertson’s private mercenary force arrived to escort me from the premises.
Perhaps they mistook
The tears welling up in Jennifer’s eyes
For a sign of distress.
Or her cries of existential anguish
For a burst of panic.
As they dragged me out the sliding doors I tried to explain that all I wanted
Was to give a
Brief
Aesthetic
Critique.